Painters & Sculptors Make Prints
Foreward (for artist book)
September 2007
by Deborah Wood
Art in America
Review of Exhibitions
Natasha Sweeten at Edward Thorp
October 2006
by Edward Leffingwell
Intricate designs and serpentine forms occupy the fields of Natasha Sweeten's 15 small, subtle, oil-on-panel paintings.......Art in America >
The New Yorker
Art: Chelsea
Short List
March 6, 2006
The New York Times
Art in Review
Natasha Sweeten at Edward Thorp Gallery
March 3, 2006
by Grace Glueck
Through March 11. Although they are abstract, Natasha Sweeten's fetchingly titled small oils on panel take cues from the real world, particularly from nature and architecture. What gives them their kick is her innate gift for using paint to evoke biomorphic and other forms in subtle, nuanced colors, overpainting, scraping and reworking until the forms play blithely off each other in quirky but coherent compositions......A very promising New York debut......Art in Review >
The Village Voice
Natasha Sweeten at Edward Thorp
NYC Guide: Arts, Chelsea
February 22-28, 2006
by R. C. Baker
These paintings, all under three feet wide, are exquisite amalgams of surface, form, and color. Like Bill Jensen, a painter who can conjure deep emotion by scraping paint down to a whisper of pigment, Sweeten works oil paint in many thin layers while imbuing her broad, bold swaths of color and angled grids with an organic joie de vivre.
Angle Magazine
"Drawn to Cleveland"
November/December 2005
by Dan Tranberg
Another revelation is the playful work of Natasha Sweeten, whose painted and twisted paper sculptures are as inventive as they are fun....Drawn to Cleveland >
Essay for Group Show Sextet
"I'm in Love with the Future Now"
October 2005
by Derrick Buisch
......Natasha Sweeten works with the current dialect of abstract painting. A kind of loose and playful formalism is engaged. With a mix of organic and synthetic color Sweeten evokes vernacular architectures, like sheds, or compost fences, wood paneling, and trophy heads in a bar/tavern somewhere upstate. These works celebrate the structural conundrum of inside-outside painted space. Ultimately the space she develops is idiosyncratic-close to the space of something fermenting inside of a glass jar with a bright label on the outside. These paintings appear to be brewed, stewed, cooked, and caressed into being......Im in Love with the Future Now >
The Hudson Review
"A Nourishing Summer Meal"
Autumn 2004
by Karen Wilkin
Elsewhere in Chelsea, at Edward Thorp, the high points of an ecumenical selection included...By contrast, Natasha Sweeten's work was a discovery of the visit. The offkilter geometry and cartoon-y imagery of her generously scaled abstractions on wood announced her admiration for Thomas Nozkowski's inventive, intelligent paintings, but she gave the idiom a personal twist, largely because of her nice sense of the physicality of painting...... A Nourishing Summer Meal >
The New York Times
LEISURE/WEEKEND DESK
ART GUIDE
July 9, 2004
by Ken Johnson
''GREETINGS FROM CHELSEA,'' Edward Thorp Gallery, through July 30. This interestingly varied, eight-person invitational includes Natasha Sweeten's suavely playful abstract paintings; Alexander Weiss's expressionistic portraits of Eve and Oedipus as blond Aryans; Matt Blackwell's antic, painterly, socio-political allegories; Alex Stein's densely penciled old master pastiches; Scott Geyer's simplified Photo Realist paintings; Markus Baenziger's delicately patterned skyward views of leaves and stars; Rebecca Smith's elegant and spare Constructivist-style sculptures; and Michael Ajerman's richly painterly watercolor portraits of young women.
Voices of Art Magazine
"Twisting and Turning: Abstract Painting Now"
Vol. II, Issue 2, 2003
by Lilly Wei
New Yorker Natasha Sweetens intimately-sized paintings are also landscape-oriented, a pieced- together, pictorial world of forms.......Twisting and Turning Now>
The Plain Dealer - Cleveland, Ohio
Arts & Life
ART REVIEW C.A.C.P. Gallery
"'Degrees of Separation' reunites city with work of former art students"
October 18, 2001
by Dan Tranberg

| "Lawn Games," above, an oil and gouache on wood panel by Natasha Sweeten, shows the artist's way of combining abstract shapes and textures to form an image that feels mysteriously coherent. |
The work of recent graduates from area art departments shows up frequently at galleries around town. But once artists leave Ohio, they often disappear from local galleries at the same time.....That's one reason the current show "Degrees of Separation" at C.A.C.P. Gallery is well worth a visit.....The paintings of Natasha Sweeten focus less on the feeling and appearance of downtown streets, and more on the way shapes and forms seem to randomly butt up against each other to create strange combinations.....Sweeten is acutely aware of her painting's surfaces and frequently exploits a variety of techniques to highlight their physicality. Individual shapes may be covered with heavily textural brushstrokes or made to appear perfectly smooth. Others seem to be created by scraping the paint with a palette knife. The overall effect is analogous to a diverse community of sorts, coexisting in a limited area......"Degrees of Separation" reunites >